A long strand of aluminum or copper wire tacked to the roof of a
house or strung between trees served as an antenna to capture radio
signals. Electrons in the wire oscillated back and forth as these
waves passed, like corks bobbing on water. Another wire coiled
around a cylinder provided a tuning device to select the specific
radio frequency transmitted by a station and to eliminate unwanted
signals. And a pair of earphones translated the tiny pulses of
electric current back into the words or sounds that had been spoken
or played into a microphone at the station.
A crystal detector
converted the back-and-forth alternating current in the antenna and
tuning circuit into one-way bursts of direct current required by the
earphones. Exactly how crystals worked had been a mystery until the
1920s, despite their having been used. In 1874 Ferdinand Braun
discovered that currents in crystals flowed more readily in one
direction, and with a sharp wire tip pressed into a crystal face
flowed in a single direction. This is called rectification.
Hearing about
Marconi’s difficulties in sending signals long distances relying on
a spark between two electrodes starting in the mid-1890s, Braun
developed a new kind of sparkless transmitter, which eventually
allowed transmitting voice and music, not mere Morse code.
Chapter 2 of Crystal Fire also gives
personality and biographical sketches of Brattain, Bardeen, and
Shockley.
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